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Monday, 14 August 2017

A Stitch In Time

There were two sessions about using fabric as inspiration at the Romantic Novelists' Association's Conference. Carol McGrath spoke about Fabric, Embroidery and Tapestry as inspiration for historical fiction, while Elizabeth Chadwick spoke about going beyond the dressing-up box to explore daily life in times gone by. Both were very different in tone, but equally fascinating.

Elizabeth suggested immersing ourselves in the period by studying the depictions of daily life in embroideries. Fashion, musical instruments and  hunting are shown in detail, created by the people who saw all those things every day. It all helps to bring authenticity to your fiction. Then there's the potential romance contained in how the pieces were made: the lives of silk-workers, the dyers, weavers, the times in which they lived and loved, and the people for whom they worked  And that's before you've considered the object of the craftwork.

Carol McGrath recounted the story of how she had been intrigued by a figure of a woman worked into the Bayeux Tapestry. There are only three women depicted in the whole 70 metre (more than 231 feet) long embroidery showing of life before and during the Battle Of Hastings in 1066. Carol has woven a series of books around the possibility of them being Harold's intended queen, his sister, and his "handfasted wife", who is shown fleeing with Harold's son from their burning house. It was a brilliant idea for a series, and the novels make compelling reading.

I'd love to be able to create a piece of beautiful needlework, but I don't have the time, the patience, or the skill. Do you do enjoy craft work? What craft are you most proud of completing?

Monday, 7 August 2017

Agents, and How To Find Them...

Felicity Trew. Photograph by John Jackson.
The first session I went to at the Romantic Novelists' Association's Conference this year was Felicity Trew's presentation about the work of an agent and how to write the perfect submission letter. Felicity works for the Caroline Sheldon Literary Agency.

A good agent will be your supporter, cheerleader and confidante. They will create a publishing schedule for you, spacing your books out so you aren't releasing them too close together. They'll guide your career, and help you create a "brand", or rework one that isn't working

When it comes to writing your submission letter to an agent, keep it calm and professional.  Begin with the word count, and the intended audience for your book. Bring all your skill as a storyteller into play, but keep all the information you include concise and relevant. Distil your plot into about three lines, and put this at the top so your prospective agent knows what to expect. Show that you've really researched your agent, and your market. Give a brief history of your writing history, and your inspiration behind the book you're pitching. Give links to your online presence. Keep your spell checker on, and make sure your letter is as perfectly laid out as your manuscript.

Which do you find harder—writing fiction, or writing the letter that goes with it?